Writer-director Azazel Jacobs was born into the world of experimental film. But it was a combination of comic books, old radio shows, Mad Magazine and The Clash that helped him develop the sensibility he would later put on screen. Aza tells Marc how his parents passed along a love of art and a compulsion to create, why he believes the name they chose for him limited his professional options, and how he found out a world existed between Hollywood and the kind of films his father made. They also talk about Aza’s latest film, French Exit.
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