Episode 1220 - John Waters

On the day this episode is released, John Waters is celebrating his 75th birthday. But he’s still doing the same things that brought him cultural notoriety when he started making movies in the ‘60s: Celebrating filth, fighting censorship, and breaking any rule you can think up. John and Marc talk about those early movies like Pink Flamingos, as well as John’s relationship with Divine. John also tells Marc why Hairspray was the most transgressive movie he ever made, why he prays to Pasolini, and what is the only thing he regrets in his life. 

Episode 1219 - Tom Jones

Tom Jones doesn’t feel like resting on his laurels. He tells Marc there’s one main reason he’s going strong, recording new music and performing live at the age of 80: Because he still has a point to prove. Tom and Marc talk about his big hits like It’s Not Unusual, Delilah, and What’s New Pussycat?, how he learned to belt them out by listening to gospel music, and the secret weapon he calls The Push. They also discuss his friendship with Elvis, his musical heroes, and his new album Surrounded by Time.

Episode 1218 - Yo-Yo Ma

Yo-Yo Ma remembers a moment in his childhood where it all began to make sense. As a seven-year-old prodigy, he was playing cello in front of an audience that included two U.S. Presidents. But it was an act of kindness and respect from the actor Danny Kaye that helped Yo-Yo look at the world in a different way. He also tells Marc how he found the meaning of art and culture in the Kalahari, why he developed a friendship with Mr. Rogers, and why he chose the title “Beginner’s Mind” for his new musical narrative project for Audible.

Episode 1217 - Sally Struthers

Sally Struthers is thinking a lot about the passage of time these days. For one, this year is the 50th anniversary of All In The Family premiering on CBS. She’s also thinking that so many people she worked with in movies like Five Easy Pieces and The Getaway are no longer with us. And she’s thinking about how all this downtime from the pandemic is keeping her from doing what she loves: touring the country in stage productions. Sally talks with Marc about how time catches up with all of us, but also how she can look back fondly and with gratitude on what has passed. 

Episode 1216 - Katey Sagal

Katey Sagal is known by the public in ways she doesn't see herself. She's known as an actor, but always thought of herself primarily as a singer. She's known as a seminal comedic TV character, even though she didn't think of herself as funny. She's defined by brash, confrontational roles, but sees herself as reserved, even shy. Katey and Marc talk about these contradictions and how they played out in public - on Married... with Children, Sons of Anarchy, her new show Rebel - and in private - in relationships, career stall-outs and struggles with substance abuse.

Episode 1215 - Hunter Biden

Marc only knew Hunter Biden from what he saw in the news. He never heard him speak, he had no sense of who he really was, and he wasn’t sure he cared much about the troubled son of a President. Then he read Hunter Biden’s book. The sad, tragic, honest, disturbing and concerning story at the heart of the real Hunter Biden made Marc want to talk with him, face to face. Hunter and Marc have a conversation about grief, desperation, tragedy, trouble and deep drug addiction. It ends up in a good place, but that place is fragile. 

Episode 1214 - Daniel Kaluuya

Daniel Kaluuya doesn’t want to stop the journey. Getting nominated for Oscars, winning a Golden Globe, hosting Saturday Night Live. These are moments within the journey, but he doesn’t want any of them to feel bigger than the journey itself. Daniel and Marc talk about this life perspective, how he draws a lot of it from his family in London and Uganda, and how he incorporated it into his portrayal of Black Panther Chairman Fred Hampton in Judas and the Black Messiah. They also talk about Sicario, Get Out and his improv days.

Episode 1213 - Azazel Jacobs

Writer-director Azazel Jacobs was born into the world of experimental film. But it was a combination of comic books, old radio shows, Mad Magazine and The Clash that helped him develop the sensibility he would later put on screen. Aza tells Marc how his parents passed along a love of art and a compulsion to create, why he believes the name they chose for him limited his professional options, and how he found out a world existed between Hollywood and the kind of films his father made. They also talk about Aza’s latest film, French Exit.

Episode 1212 - Eddie Huang

Eddie Huang has been fighting for things his whole life. Whether fighting for respect from a culture that is unwelcoming, or fighting for normalcy amidst a chaotic upbringing, or fighting for approval from his immigrant parents, all his achievements came with a cost. Now, with the first movie he wrote and directed under his belt, Eddie tells Marc why the film Boogie represents a collection of everything he’s had to fight for. They also talk about his struggles with having his memoir Fresh Off The Boat adapted for TV and why Lynn Shelton was integral to him becoming a director. 

Episode 1211 - Christopher Lloyd

Christopher Lloyd has a career spanning more than 60 years on stage, TV and film. But Marc was enamored with stories about the first movie Christopher ever made, One Flew Over The Cuckoo’s Nest. Christopher tells Marc about the unique audition process, how they slept overnight in the institution, what it was like working with his idol at the time, Jack Nicholson, and more. They also talk about the first movie Christopher almost made, shooting lots of guns in the new movie Nobody, and what he considers to be the true legacy of Back to the Future. 

Episode 1210 - Serj Tankian

Serj Tankian from System of a Down says he is dedicated to the truth in a very naive way. That basic need to tell the truth and be honest with himself comes through in his art, his activism and his personal life, all of which are depicted in the new documentary Truth to Power. Serj and Marc talk about how so much of Serj’s life has been dedicated to telling the story of the Armenian genocide and how that mission informs his activism around the struggles in present day Armenia, as well as other human rights efforts around the world. 

Episode 1209 - Laraine Newman

Laraine Newman titled her memoir May You Live in Interesting Times, a phrase many people believe to be a curse. Laraine thinks it’s an appropriate framework for her life and career. She tells Marc what it was like to be a part of culture-changing comedy institutions as a founding member of both The Groundlings and Saturday Night Live. They also talk about her prolific career as a voiceover artist for animation which also began on serendipitous terms.

Episode 1208 - Hugh Grant

Hugh Grant thinks he’s only getting better as an actor now. The work he’s done for the past few years feels real to him, as opposed to felling like he was faking it when he made all those romantic comedies. Hugh and Marc talk about that realization and what happened in his life to make him finally feel less insecure as an actor. They also discuss his early comedy troupe, his recent habit of playing scoundrels and villains, and his mission to push back against the violating behavior of the British tabloids.

Episode 1207 - Eddie Murphy

In order for Eddie Murphy to become “Eddie Murphy” he had to become a comedian. Eddie tells Marc, comic-to-comic, what it was like being a Black teenager on Long Island building a standup act fueled by impressions and inspired by Richard Pryor. And now, with fatherhood at the center of his life, Eddie explains why he wants to bookend his career by going back on stage. Eddie also talks about the real reason he exploded on the movie scene, why he stopped doing standup before he turned 30, and why it was finally the right time to make Coming 2 America.

Episode 1206 - Jake Gyllenhaal

Jake Gyllenhaal knows he has a great job as a celebrated film actor. But the thing that brings him true joy is bursting into song as part of a stage musical. Jake talks with Marc about his love of theater, which ended up landing him three Tony Award nominations this year, one for acting and two for producing. They also get into why Broadway needs to evolve when it returns, why Jake was in awe of Heath Ledger, and why he was completely surprised by Marc after this episode started.

Episode 1205 - Tim Allen

Tim Allen has embodied enough different personas - Tim Taylor, Mike Baxter, Buzz Lightyear, Santa Claus - that he often doesn’t know which guy he actually is. But at least he’s no longer the directionless young man who made bad choices and ran afoul of the law. Tim tells Marc how he cleaned up his act and made it as a club comic before breaking out with one of the most popular sitcoms in network history. They also talk about how Tim’s emotions are running high as Last Man Standing comes to an end and why his new competition show, Assembly Required, is surprisingly out of his comfort zone.

Episode 1204 - Michael K. Williams

Michael K. Williams knows that a lot of people consider his character, Omar Little, to be the best character on The Wire. But he has a different opinion about the show’s best character. Michael tells Marc about how he brought his struggles as an addict to his performance, how he relapsed while making the show, and how the cast gave him the support he needed to get clean. They also talk about Michael’s scar and how it helped him land his first acting job, why he loves Rachael Ray so much, and why his role in the movie Body Brokers was so personal to him.

Episode 1203 - Melissa Leo

Melissa Leo’s acting style is a combination of gut instincts and a compulsive need to ask questions. It’s a style that already earned her an Oscar and continual employment, but also keeps her from falling into the trap of business-as-usual. Melissa and Marc talk about her performances in movies like Frozen River The Fighter and the new film Body Brokers, how she played a character not unlike Mitzi Shore for the series I’m Dying Up Here, and what is the one type of part she refuses to play, even though she gets offers to play it over and over again.